Saturday morning I did my laundry. Although they do use washing machines here, dryers aren’t so popular because they suck up a lot of the precious energy. And why bother when you have free breezes outside your house to do it for you? I just got a kick out of standing on our roof deck, hanging out my laundry. And there’s definitely something to be said for the scent of fresh air in your newly cleaned clothing.
s, Santeria practicants, my professor being one of them. The pace of the dancing was usually slow and steady, though at times the urgency of the music and the crescendo of sound would urge the dancers’ feet into more frenetic movements. We filed along the back of the room, some of us cramming into the small nook which held the altar that you see pictured here ( we couldn’t take many pictures, because it is forbidden to photograph the drummers, but a professional photographer was there and we will be getting copies from him eventually). The dancing went on for an hour or more until we noticed that something was starting to happen. One of the male dancers was slowly making his way to the center of the circle, as the others instinctually moved aside to give him room. His dancing had become more akin to spastic body movements, and at times his entire back was bent horizontal to the floor. His eyelids were not completely open, but you could see the lack of connection to the earthly world in the portion of his eye yet visible. The dancer’s body gyrated more quickly and the sweat began pouring down his face, occasionally mixing with spittle from his mouth. I watched, feeling anxious, not knowing what was happening, until the dancer threw his body erect and emitted a loud, “AHA”. The goddess Yemaya had descended into his body, and promptly began to greet those present in the room. Yemaya did not only greet the Santeria practicants, she made her way around to the rest of us as well, giving each a hug. With not a little trepidation, I stepped up to receive my greeting. I’ve always been fascinated by the supernatural, yet being confronted with something like this that I couldn’t understand was frightening in a way. Yemaya then closeted herself with my professor and his two guides in Santeria, his madrina and padrino. The rest of us took breathers of fresh air right outside the now-muggy tambor room. Finally, Yemaya and the others made their way back into the main room with the rest of us, and Yemaya made her way around the room, stopping to speak to various people…including a few of us. Yemaya (channelled though the dancer) spoke to us in a creole of Spanish and Yoruba, which to me sounded a bit like Portuguese. She was first telling us that we are known to her because we crossed the ocean, of which she is the god. Furthermore, she advised us to be careful and to always be listening to the people that speak to us while we are here. I cannot explain to you all the sight of this man, who was now dressed in the costume of Yemaya, and how it felt to be watching him as the voice of a god came out of his mouth. I write that as though it is something I believe. I still don’t know what to think about what I saw, but I can tell you that the others in the room certainly believed that that was what was going on. Yemaya spent more time dancing with the group, periodically releasing those startling, “AHA”s that I never quite became accustomed to. Finally, the dancing seemed to wind down, Yemaya once more was closeted with the principal actors of the day, and the rest of us were served the food that had been placed before the altar. Eventually, the closet c
onference was broken up, and from it emerged no longer the god but the male dancer, looking exhausted and haggard. This was our exit cue to walk home. I’m still waiting to talk to Profe to find out about a lot of things, but I am so glad that I was present to see what happened.
Coming home, we encountered another aspect of Cuban life: the frequent breakdown of the elevator in our building…and we live on the 13th floor. Let me tell you, if I hadn’t been able to keep focused on the idea that waiting for me above was my dinner, I don’t know how I would have made it. Just kidding, we’ve had to do it a bunch of times already, and we do it for exercise sometimes as well. But man, it is a long, grueling haul, let me tell you.
Yesterday we went to a rumba “concert”, although it wasn’t nearly so organized as a concert, plus it was free, in the Callejon del Hammel, which is the grotto of the artist Salvador Gonzalez (this statue, for lack of a better word, is his work). It was loud and hot, but the music was incredibly good- something about the African-inspired beats just won’t let me keep my feet still. We also met a pirate (seriously, he was like Johnny Depp in “Pirates”, down to the mannerisms) who told us he was a “boy prostitute”. His words. He was pretty terrific.
We then went for a walk towards the Capitolio…ok, we were really heading to a pastry shop, and it happened to be near the Capitolio. Both pastries and the building were a good time, and then the final piece of the weekend fell into place: we had to take egg carts. I’ve already posted (maybe not on the blog but on my online photo album at http://picasaweb.google.com/haughney.t) some pictures of them, but they’re the little yellow three-wheeled conveyances. I should note here that normal Cubans probably wouldn’t take an egg cart, they are more expensive than other modes of transport, but I felt like it was an experience unique to
the driver of Honorio and Steph’s eggcart were intent on playing bumper egg carts the entire way home…but we made it safely in one piece, and I’m glad we did it.
Time has been going so fast here, and I can’t believe our trip is a sixth of the way over already. It’s such an interesting feeling to be an American here. In some ways it’s great, because most people are really willing and eager to talk to you. On the other hand, there’s always the anticipation or expectation that once befriended by a Cuban, they will ask you for something or expect something from you. Yes, we are college students, and in the
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