Friday, January 23, 2009
Hija de Obbatala
The Padrino was seated on the floor, on top of a blue and white woven carpet, which is sacred. I sat on a chair on the edge of the carpet, with my shoes off (otherwise would be an insult to the orishas). The Padrino started the reading by three times dipping his fingers in a small bowl of water next to the mat, and flicking droplets onto the floor; I think each of the three splashes were to honor his orisha, his Padrino, and his Madrina. He then began mixing the shells on the floor while chanting in the Yoruba-Spanish creole used in Cuban Santeria. Finally, he lifted the shells and touched them to my head, shoulders, knees, and feet, before resting them in my hands for a moment. He then threw the shells on the floor, and with them, my destiny.
The first thing that came out for me was related to the orisha Ogun, one of the war orishas, lord of knives and metal. You can imagine this doesn't bode well. The first admonition I received was to "beware the blood" or "take care of the blood". He further explained, telling me to take care when needles are involved, saying that I am prone to infection. Basically, my blood is weak and something could happen to me because of that.
The second warning I received (and Mom, you'll love this, since you always warn me about the same things- have you been in touch with the orishas lately?) was to be careful in the street. Honorio got this same warning, only his meant to actually beware of people in the street that will try to trick him. Mine was to legit take care when crossing the street, because it's possible that I will get hit by a car.
Now this all sounds like a lot of bad news, doesn't it? However, the first step towards winning the battle is knowing what the battle is, so I know what to watch out for. Also, we are going back to the Padrino's tomorrow, because we need to do a variety of cleansing rituals, so that should make for another fascinating blog.
Here's my favorite part of the reading. First understand that the Santeria belief is that everyone is the world has an orisha that looks out for them (akin to the Christian idea of a guardian angel). Regardless of whether or not you are a practicant of the religion, this orisha is with you and guiding you. So Padrino did the readings for each of us, and it came to be known that Obbatala is my guardian orisha, hence the title of my blog, which says in Spanish "Daughter of Obbatala". Obbatala is the most powerful orisha, and her realms are those of peace and purity. She is represented by the color white and the symbol of the dove (new tattoo idea right there). This fits in rather well with my world view, so I'm glad that this was what Padrino read in the shells.
Yesterday was also Rebekah's birthday, so as a group we all went to hang out with the Cuban guys that some of the girls have befriended. We basically just had a huge dance party in the salon where some of them work. Everybody had a great time and there are definitely some great stories, but hey...what happens in Cuba, stays in Cuba. There is a blockade, after all.
Thursday, January 22, 2009
Obamarama 2K9
Being here gives me the chance to think about what might come in the next four years. First of all, as glad as I am to see Bush go, it's also a little scary, in the sense that he's been the president for as long as I've been politically conscious. Also, he led us into this utter mess (I could use my new favorite Cuban slang, reajo, which translates roughly to clusterfuck), and now Obama's stuck with the job of trying to get us out. I feel like there are so many things riding on Obama's shoulders, so many things that he has to fix from previous mistakes, before he can ever really lead us back into a better place. And it worries me because I don't know how our country will react to that, if people will have the foresight to see those things.
Monday, January 19, 2009
Hugs from the Gods
Saturday morning I did my laundry. Although they do use washing machines here, dryers aren’t so popular because they suck up a lot of the precious energy. And why bother when you have free breezes outside your house to do it for you? I just got a kick out of standing on our roof deck, hanging out my laundry. And there’s definitely something to be said for the scent of fresh air in your newly cleaned clothing.
s, Santeria practicants, my professor being one of them. The pace of the dancing was usually slow and steady, though at times the urgency of the music and the crescendo of sound would urge the dancers’ feet into more frenetic movements. We filed along the back of the room, some of us cramming into the small nook which held the altar that you see pictured here ( we couldn’t take many pictures, because it is forbidden to photograph the drummers, but a professional photographer was there and we will be getting copies from him eventually). The dancing went on for an hour or more until we noticed that something was starting to happen. One of the male dancers was slowly making his way to the center of the circle, as the others instinctually moved aside to give him room. His dancing had become more akin to spastic body movements, and at times his entire back was bent horizontal to the floor. His eyelids were not completely open, but you could see the lack of connection to the earthly world in the portion of his eye yet visible. The dancer’s body gyrated more quickly and the sweat began pouring down his face, occasionally mixing with spittle from his mouth. I watched, feeling anxious, not knowing what was happening, until the dancer threw his body erect and emitted a loud, “AHA”. The goddess Yemaya had descended into his body, and promptly began to greet those present in the room. Yemaya did not only greet the Santeria practicants, she made her way around to the rest of us as well, giving each a hug. With not a little trepidation, I stepped up to receive my greeting. I’ve always been fascinated by the supernatural, yet being confronted with something like this that I couldn’t understand was frightening in a way. Yemaya then closeted herself with my professor and his two guides in Santeria, his madrina and padrino. The rest of us took breathers of fresh air right outside the now-muggy tambor room. Finally, Yemaya and the others made their way back into the main room with the rest of us, and Yemaya made her way around the room, stopping to speak to various people…including a few of us. Yemaya (channelled though the dancer) spoke to us in a creole of Spanish and Yoruba, which to me sounded a bit like Portuguese. She was first telling us that we are known to her because we crossed the ocean, of which she is the god. Furthermore, she advised us to be careful and to always be listening to the people that speak to us while we are here. I cannot explain to you all the sight of this man, who was now dressed in the costume of Yemaya, and how it felt to be watching him as the voice of a god came out of his mouth. I write that as though it is something I believe. I still don’t know what to think about what I saw, but I can tell you that the others in the room certainly believed that that was what was going on. Yemaya spent more time dancing with the group, periodically releasing those startling, “AHA”s that I never quite became accustomed to. Finally, the dancing seemed to wind down, Yemaya once more was closeted with the principal actors of the day, and the rest of us were served the food that had been placed before the altar. Eventually, the closet c
onference was broken up, and from it emerged no longer the god but the male dancer, looking exhausted and haggard. This was our exit cue to walk home. I’m still waiting to talk to Profe to find out about a lot of things, but I am so glad that I was present to see what happened.
Coming home, we encountered another aspect of Cuban life: the frequent breakdown of the elevator in our building…and we live on the 13th floor. Let me tell you, if I hadn’t been able to keep focused on the idea that waiting for me above was my dinner, I don’t know how I would have made it. Just kidding, we’ve had to do it a bunch of times already, and we do it for exercise sometimes as well. But man, it is a long, grueling haul, let me tell you.
Yesterday we went to a rumba “concert”, although it wasn’t nearly so organized as a concert, plus it was free, in the Callejon del Hammel, which is the grotto of the artist Salvador Gonzalez (this statue, for lack of a better word, is his work). It was loud and hot, but the music was incredibly good- something about the African-inspired beats just won’t let me keep my feet still. We also met a pirate (seriously, he was like Johnny Depp in “Pirates”, down to the mannerisms) who told us he was a “boy prostitute”. His words. He was pretty terrific.
We then went for a walk towards the Capitolio…ok, we were really heading to a pastry shop, and it happened to be near the Capitolio. Both pastries and the building were a good time, and then the final piece of the weekend fell into place: we had to take egg carts. I’ve already posted (maybe not on the blog but on my online photo album at http://picasaweb.google.com/haughney.t) some pictures of them, but they’re the little yellow three-wheeled conveyances. I should note here that normal Cubans probably wouldn’t take an egg cart, they are more expensive than other modes of transport, but I felt like it was an experience unique to
the driver of Honorio and Steph’s eggcart were intent on playing bumper egg carts the entire way home…but we made it safely in one piece, and I’m glad we did it.
Time has been going so fast here, and I can’t believe our trip is a sixth of the way over already. It’s such an interesting feeling to be an American here. In some ways it’s great, because most people are really willing and eager to talk to you. On the other hand, there’s always the anticipation or expectation that once befriended by a Cuban, they will ask you for something or expect something from you. Yes, we are college students, and in the